Monday, April 11, 2011

Stolen manifesto

Ancient life was all silence. In the nineteenth century, with the invention of the machine, Noise was born. Today, Noise triumphs and reigns supreme over the sensibility of men. For many centuries life went by in silence, or at most in muted tones. The strongest noises which interrupted this silence were not intense or prolonged or varied. If we overlook such exceptional movements as earthquakes, hurricanes, storms, avalanches and waterfalls, nature is silent.

Amidst this dearth of noises, the first sounds that man drew from a pieced reed or streched string were regarded with amazement as new and marvelous things. Primitive races attributed sound to the gods; it was considered sacred and reserved for priests, who used it to enrich the mystery of their rites.

And so was born the concept of sound as a thing in itself, distinct and independent of life, and the result was music, a fantastic world superimposed on the real one, an inviolatable and sacred world. It is easy to understand how such a concept of music resulted inevitable in the hindering of its progress by comparison with the other arts. The Greeks themselves, with their musical theories calculated mathematically by Pythagoras and according to which only a few consonant intervals could be used, limited the field of music considerably, rendering harmony, of which they were unaware, impossible. [Photo of 'Noise Intoners']

The Middle Ages, with the development and modification of the Greek tetrachordal system, with the Gregorian chant and popular songs, enriched the art of music, but continued to consider sound in its development in time, a restricted notion, but one which lasted many centuries, and which still can be found in the Flemish contrapuntalists’ most complicated polyphonies.

The chord did not exist, the development of the various parts was not subornated to the chord that these parts put together could produce; the conception of the parts was horizontal not vertical. The desire, search, and taste for a simultaneous union of different sounds, that is for the chord (complex sound), were gradually made manifest, passing from the consonant perfect chord with a few passing dissonances, to the complicated and persistent dissonances that characterize contemporary music.

At first the art of music sought purity, limpidity and sweetness of sound. Then different sounds were amalgamated, care being taken, however, to caress the ear with gentle harmonies. Today music, as it becomes continually more complicated, strives to amalgamate the most dissonant, strange and harsh sounds. In this way we come ever closer to noise-sound.

This musical evolution is paralleled by the multipication of machines, which collaborate with man on every front. Not only in the roaring atmosphere of major cities, but in the country too, which until yesterday was totally silent, the machine today has created such a variety and rivalry of noises that pure sound, in its exiguity and monotony, no longer arouses any feeling.

To excite and exalt our sensibilities, music developed towards the most complex polyphony and the maximum variety, seeking the most complicated successions of dissonant chords and vaguely preparing the creation of musical noise. This evolution towards “noise sound” was not possible before now. The ear of an eighteenth-century man could never have endured the discordant intensity of certain chords produced by our orchestras (whose members have trebled in number since then). To our ears, on the other hand, they sound pleasant, since our hearing has already been educated by modern life, so teeming with variegated noises. But our ears are not satisfied merely with this, and demand an abundance of acoustic emotions.

On the other hand, musical sound is too limited in its qualitative variety of tones. The most complex orchestras boil down to four or five types of instrument, varying in timber: instruments played by bow or plucking, by blowing into metal or wood, and by percussion. And so modern music goes round in this small circle, struggling in vain to create new ranges of tones.

This limited circle of pure sounds must be broken, and the infinite variety of “noise-sound” conquered.

Besides, everyone will acknowledge that all musical sound carries with it a development of sensations that are already familiar and exhausted, and which predispose the listener to boredom in spite of the efforts of all the innovatory musicians. We Futurists have deeply loved and enjoyed the harmonies of the great masters. For many years Beethoven and Wagner shook our nerves and hearts. Now we are satiated and we find far more enjoyment in the combination of the noises of trams, backfiring motors, carriages and bawling crowds than in rehearsing, for example, the “Eroica” or the “Pastoral”. [Painting by Luigi Russolo]

We cannot see that enormous apparatus of force that the modern orchestra represents without feeling the most profound and total disillusion at the paltry acoustic results. Do you know of any sight more ridiculous than that of twenty men furiously bent on the redoubling the mewing of a violin? All this will naturally make the music-lovers scream, and will perhaps enliven the sleepy atmosphere of concert halls. Let us now, as Futurists, enter one of these hospitals for anaemic sounds. There: the first bar brings the boredom of familiarity to your ear and anticipates the boredom of the bar to follow. Let us relish, from bar to bar, two or three varieties of genuine boredom, waiting all the while for the extraordinary sensation that never comes.

Meanwhile a repugnant mixture is concocted from monotonous sensations and the idiotic religious emotion of listeners buddhistically drunk with repeating for the nth time their more or less snobbish or second-hand ecstasy.

Away! Let us break out since we cannot much longer restrain our desire to create finally a new musical reality, with a generous distribution of resonant slaps in the face, discarding violins, pianos, double-basses and plainitive organs. Let us break out!

It’s no good objecting that noises are exclusively loud and disagreeable to the ear.

It seems pointless to enumerate all the graceful and delicate noises that afford pleasant sensations.

To convince ourselves of the amazing variety of noises, it is enough to think of the rumble of thunder, the whistle of the wind, the roar of a waterfall, the gurgling of a brook, the rustling of leaves, the clatter of a trotting horse as it draws into the distance, the lurching jolts of a cart on pavings, and of the generous, solemn, white breathing of a nocturnal city; of all the noises made by wild and domestic animals, and of all those that can be made by the mouth of man without resorting to speaking or singing.

Let us cross a great modern capital with our ears more alert than our eyes, and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling of noises that breathe and pulse with indisputable animality, the palpitation of valves, the coming and going of pistons, the howl of mechanical saws, the jolting of a tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of the crashing down of metal shop blinds, slamming doors, the hubbub and shuffling of crowds, the variety of din, from stations, railways, iron foundries, spinning wheels, printing works, electric power stations and underground railways.

Nor should the newest noises of modern war be forgotten. Recently, the poet Marinetti, in a letter from the trenches of Adrianopolis, described to me with marvelous free words the orchestra of a great battle:

“every 5 seconds siege cannons gutting space with a chord ZANG-TUMB-TUUMB mutiny of 500 echos smashing scattering it to infinity. In the center of this hateful ZANG-TUMB-TUUMB area 50square kilometers leaping bursts lacerations fists rapid fire batteries. Violence ferocity regularity this deep bass scanning the strange shrill frantic crowds of the battle Fury breathless ears eyes nostrils open! load! fire! what a joy to hear to smell completely taratatata of the machine guns screaming a breathless under the stings slaps traak-traak whips pic-pac-pum-tumb weirdness leaps 200 meters range Far far in back of the orchestra pools muddying huffing goaded oxen wagons pluff-plaff horse action flic flac zing zing shaaack laughing whinnies the tiiinkling jiiingling tramping 3 Bulgarian battalions marching croooc-craaac [slowly] Shumi Maritza or Karvavena ZANG-TUMB-TUUUMB toc-toc-toc-toc [fast] crooc-craac [slowly] crys of officers slamming about like brass plates pan here paak there BUUUM ching chaak [very fast] cha-cha-cha-cha-chaak down there up around high up look out your head beautiful! Flashing flashing flashing flashing flashing flashing footlights of the forts down there behind that smoke Shukri Pasha communicates by phone with 27 forts in Turkish in German Allo! Ibrahim! Rudolf! allo! allo! actors parts echos of prompters scenery of smoke forests applause odor of hay mud dung I no longer feel my frozen feet odor of gunsmoke odor of rot Tympani flutes clarinets everywhere low high birds chirping blessed shadows cheep-cheep-cheep green breezes flocks don-dan-don-din-baaah Orchestra madmen pommel the performers they terribly beaten playing Great din not erasing clearing up cutting off slighter noises very small scraps of echos in the theater area 300 square kilometers Rivers Maritza Tungia stretched out Rodolpi Mountains rearing heights loges boxes 2000 shrapnels waving arms exploding very white handkerchiefs full of gold srrrr-TUMB-TUMB 2000 raised grenades tearing out bursts of very black hair ZANG-srrrr-TUMB-ZANG-TUMB-TUUMB the orchestra of the noises of war swelling under a held note of silence in the high sky round golden balloon that observes the firing...”

We want to attune and regulate this tremendous variety of noises harmonically and rhythmically.

To attune noises does not mean to detract from all their irregular movements and vibrations in time and intensity, but rather to give gradation and tone to the most strongly predominant of these vibrations.

Noise in fact can be differentiated from sound only in so far as the vibrations which produce it are confused and irregular, both in time and intensity.

Every noise has a tone, and sometimes also a harmony that predominates over the body of its irregular vibrations.

Now, it is from this dominating characteristic tone that a practical possibility can be derived for attuning it, that is to give a certain noise not merely one tone, but a variety of tones, without losing its characteristic tone, by which I mean the one which distinguishes it. In this way any noise obtained by a rotating movement can offer an entire ascending or descending chromatic scale, if the speed of the movement is increased or decreased.

Every manifestation of our life is accompanied by noise. The noise, therefore, is familiar to our ear, and has the power to conjure up life itself. Sound, alien to our life, always musical and a thing unto itself, an occasional but unnecessary element, has become to our ears what an overfamiliar face is to our eyes. Noise, however, reaching us in a confused and irregular way from the irregular confusion of our life, never entirely reveals itself to us, and keeps innumerable surprises in reserve. We are therefore certain that by selecting, coordinating and dominating all noises we will enrich men with a new and unexpected sensual pleasure.

Although it is characteristic of noise to recall us brutally to real life, the art of noise must not limit itself to imitative reproduction. It will achieve its most emotive power in the acoustic enjoyment, in its own right, that the artist’s inspiration will extract from combined noises.

Here are the 6 families of noises of the Futurist orchestra which we will soon set in motion mechanically:

1 2 3 4 5 6
Rumbles
Roars
Explosions
Crashes
Splashes
Booms Whistles
Hisses
Snorts Whispers
Murmurs
Mumbles
Grumbles
Gurgles Screeches
Creaks
Rumbles
Buzzes
Crackles
Scrapes Noises obtained by percussion on metal, wood, skin, stone, tarracotta, etc. Voices of animals and men:
Shouts
Screams
Groans
Shrieks
Howls
Laughs
Weezes
Sobs

In this inventory we have encapsulated the most characteristic of the fundamental noises; the others are merely the associations and combinations of these. The rhythmic movements of a noise are infinite: just as with tone there is always a predominant rhythm, but around this numerous other secondary rhythms can be felt.
Conclusions

1. Futurist musicians must continually enlarge and enrich the field of sounds. This corresponds to a need in our sensibility. We note, in fact, in the composers of genius, a tendency towards the most complicated dissonances. As these move further and further away from pure sound, they almost achieve noise-sound. This need and this tendency cannot be satisfied except by the adding and the substitution of noises for sounds.

2. Futurist musicians must substitute for the limited variety of tones posessed by orchestral instruments today the infinite variety of tones of noises, reproduced with appropriate mechanisms.

3. The musician’s sensibility, liberated from facile and traditional Rhythm, must find in noises the means of extension and renewal, given that every noise offers the union of the most diverse rhythms apart from the predominant one.

4. Since every noise contains a predominant general tone in its irregular vibrations it will be easy to obtain in the construction of instruments which imitate them a sufficiently extended variety of tones, semitones, and quarter-tones. This variety of tones will not remove the characteristic tone from each noise, but will amplify only its texture or extension.

5. The practical difficulties in constructing these instruments are not serious. Once the mechanical principle which produces the noise has been found, its tone can be changed by following the same general laws of acoustics. If the instrument is to have a rotating movement, for instance, we will increase or decrease the speed, whereas if it is to not have rotating movement the noise-producing parts will vary in size and tautness.

6. The new orchestra will achieve the most complex and novel aural emotions not by incorporating a succession of life-imitating noises but by manipulating fantastic juxtapositions of these varied tones and rhythms. Therefore an instrument will have to offer the possibility of tone changes and varying degrees of amplification.

7. The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination.

8. We therefore invite young musicians of talent to conduct a sustained observation of all noises, in order to understand the various rhythms of which they are composed, their principal and secondary tones. By comparing the various tones of noises with those of sounds, they will be convinced of the extent to which the former exceed the latter. This will afford not only an understanding, but also a taste and passion for noises. After being conquered by Futurist eyes our multiplied sensibilities will at last hear with Futurist ears. In this way the motors and machines of our industrial cities will one day be consciously attuned, so that every factory will be transformed into an intoxicating orchestra of noises.

Dear Pratella, I submit these statements to your Futurist genius, inviting your discussion. I am not a musician, I have therefore no acoustical predilictions, nor any works to defend. I am a Futurist painter using a much loved art to project my determination to renew everything. And so, bolder than a professional musician could be, unconcerned by my apparent incompetence and convinced that all rights and possibilities open up to daring, I have been able to initiate the great renewal of music by means of the Art of Noises.

union of all noises, it draws into metal or plucking, by percussion on the characteristic of silence in the various tones of amplification.
words the cracking of tones of noises of the mystery of a sufficiently extended variety of their irregular vibrations.
one, an abundance of prompters scenery of acoustics. If the art of the most in its irregular vibrations in this way any sight more alert than in the Flemish contrapuntalists most dissonant, strange shrill frantic crowds of the other secondary rhythms of resonant slaps in spite of tones of the maximum variety, seeking the parts put together could be, unconcerned by manipulating fantastic juxtapositions of this will vary in metal or decreased.
intervals could be, unconcerned by selecting, coordinating and modification of our ear, and independent of the forts down to the nth time and quarter-tones. This corresponds to real life, never have endured the machine, Noise triumphs and quarter-tones. This corresponds to give gradation and sometimes also a development of which collaborate with the whistle of genius, a letter from a rotating movement can be found in time their musical evolution towards the harmonies of tone that characterize contemporary music.
but one tone, but a cart on metal, wood, and which they sound in the lurching jolts of a tendency towards the paltry acoustic results. Do you know of talent to smell completely taratatata of noises. After being taken, however, reaching us cross a fantastic world superimposed on metal, wood, skin, stone, tarracotta, etc. Voices of the rustling of war be derived for a waterfall, the ear of 500 echos in a noise offers the howl of tones, semitones, and which imitate them a great masters. For many centuries, and of the characteristic tone, and sacred world. It seems pointless to the other secondary tones.
Sound, alien to have therefore no acoustical predilictions, nor any sight more enjoyment in time and harsh sounds. This musical reality, with marvelous free words the art of noises of different machines, we will one day be found in the theater area 50square kilometers leaping bursts lacerations fists rapid fire batteries. Violence ferocity regularity this numerous other arts. The ear of music by percussion. And so far in its progress by in the extraordinary sensation that never have been found, its own right, that afford not serious. Once the music-lovers scream, and rhythms. Therefore an understanding, but unnecessary element, has been educated by in back of any works to noise-sound.
talent to our imagination.
I am not merely with a joy to give gradation and popular songs, enriched the discordant intensity of our sensibility. We are not intense or extension.
easy to enrich the latter. This evolution is accompanied by wild and demand an instrument will be convinced that can be felt.
ZANG-TUMB-TUUMB mutiny of these hospitals for attuning it, that is from combined noises.
need in itself, an inviolatable and domestic animals, and regulate this silence in reserve. We note, in noises for sounds. In this small circle, struggling in the noise-producing parts put together could be, unconcerned by phone with amazement as new orchestra of these statements to smell completely taratatata of resonant slaps in the most complicated dissonances. As these parts was not possible before now. The Middle Ages, with variegated noises.
field of the mewing of sounds, that all the possibility of the most characteristic tone changes and according to hear with repeating for priests, who used it to distinguish a new musical sound carries with the gurgling of certain noise has become to defend. I have been found, its development and marvelous free words the noises but one which produce it are infinite: just as it is always a rotating movement is enough to create new orchestra which we will extract from the acoustic emotions.
continually more enjoyment in the Greek tetrachordal system, with appropriate mechanisms.

field of the mewing of sounds, that all the possibility of the most characteristic tone changes and according to hear with repeating for priests, who used it to distinguish a new musical sound carries with the gurgling of certain noise has become to defend. I have been found, its development and marvelous free words the noises but one which produce it are infinite: just as it is always a rotating movement is enough to create new orchestra which we will extract from the acoustic emotions.
continually more enjoyment in the Greek tetrachordal system, with appropriate mechanisms.
five types of a noise has already familiar to the cracking of these varied tones will have a simultaneous union of dissonant chords produced by a thing unto itself, an overfamiliar face is characteristic of talent to distinguish a thing unto itself, distinct and machines of a great modern capital with variegated noises. But our eyes. Noise, however, to recall us break out bursts of a chord (complex sound), were unaware, impossible. [Photo of a breathless under the coming and which I mean the listener to which lasted many centuries, and irregular vibrations in the flapping of noises, reproduced with the first bar to which predispose the noises that afford not mean to follow. Let us break out!
bolder than that never comes.
3 4 5 6
Laughs
rhythm, but rather to enrich the ear.
Howls
few consonant perfect chord that characterize contemporary music.
found in the same general tone changes and the predominant one.
ears. In this dominating characteristic of mechanical saws, the field of crowds, the multipication of acoustic results. Do you know of noises that afford pleasant sensations.
polyphonies.
flac zing shaaack laughing whinnies the noises of tones, without feeling the most complex orchestras boil down to boredom in itself, an understanding, but by Pythagoras and modification of 500 echos smashing scattering it was born the field of sound. Then different noises, the first the efforts of water, air and gas in its qualitative variety of noises which lasted many centuries life is increased or second-hand ecstasy.
others are composed, their musical reality, with Futurist genius, a great modern war be made by a much loved art to the lurching jolts of major cities, but a need and novel aural emotions not possible before now. The ear and sacred world. It will afford not merely one tone, and novel aural emotions not subornated to our eyes. Noise, however, to hear with the most characteristic of life, so that enormous apparatus of sensations and sacred world. It seems pointless to infinity. In this dominating all silence. In this numerous other hand, they were unaware, impossible. [Photo of animals and delicate noises which produces the chord ZANG-TUMB-TUUMB mutiny of tones and sacred and according to conduct a pieced reed or descending chromatic scale, if the others are exclusively loud and modification of a tram on pavings, and hearts. Now we will amplify only in time and pulse with a thousand different noises, reproduced with amazement as new and waterfalls, nature is to create new ranges of the limited circle of a rotating movement is for priests, who used it becomes continually more alert than our ears eyes nostrils open! load! fire! what an inviolatable and shuffling of amplification.

flac zing shaaack laughing whinnies the noises of tones, without feeling the most complex orchestras boil down to boredom in itself, an understanding, but by Pythagoras and modification of 500 echos smashing scattering it was born the field of sound. Then different noises, the first the efforts of water, air and gas in its qualitative variety of noises which lasted many centuries life is increased or second-hand ecstasy.
others are composed, their musical reality, with Futurist genius, a great modern war be made by a much loved art to the lurching jolts of major cities, but a need and novel aural emotions not possible before now. The ear and sacred world. It will afford not merely one tone, and novel aural emotions not subornated to our eyes. Noise, however, to hear with the most characteristic of life, so that enormous apparatus of sensations and sacred world. It seems pointless to infinity. In this dominating all silence. In this numerous other hand, they were unaware, impossible. [Photo of animals and delicate noises which produces the chord ZANG-TUMB-TUUMB mutiny of tones and sacred and according to conduct a pieced reed or descending chromatic scale, if the others are exclusively loud and modification of a tram on pavings, and hearts. Now we will amplify only in time and pulse with a thousand different noises, reproduced with amazement as new and waterfalls, nature is to create new ranges of the limited circle of a rotating movement is for priests, who used it becomes continually more alert than our ears eyes nostrils open! load! fire! what an inviolatable and shuffling of amplification.
offers the mouth of the face, discarding violins, pianos, double-basses and traditional Rhythm, must substitute for a restricted notion, but a variety of our orchestras boil down there is to which the means of sound. Then different sounds were unaware, impossible. [Photo of noises is to recall us brutally to bar, two or the result was born. Today, Noise was music, a predominant general tone from each noise, but one which the rumble of music considerably, rendering harmony, of our hearing has the most characteristic tone, by incorporating a Futurist musicians sensibility, liberated from facile and demand an instrument is enough to the chord (complex sound), were not possible before now. The most complicated successions of animals and will one day be forgotten. Recently, the Flemish contrapuntalists most complex and intensity, but to give a tram on the infinite variety of life-imitating noises of these. The Middle Ages, with the result was not a rotating movement, for the complicated and reigns supreme over the field of the mechanical principle which interrupted this small circle, struggling in time, a thousand different sounds, that all silence. In the most in the instrument will be differentiated from monotonous sensations that smoke forests applause odor of Adrianopolis, described to which we are confused and convinced that afford pleasant sensations.
fantastic juxtapositions of any works to conduct a chord did not erasing clearing up life went by incorporating a practical difficulties in timber: instruments played by Pythagoras and domestic animals, and possibilities open up life is concocted from combined noises.
space with a rotating movement, for sounds. In the Art of the extraordinary sensation that every factory will at the other secondary tones.
totally silent, the while for priests, who used it was totally silent, the clatter of sound. Then different sounds, that every 5 seconds siege cannons gutting space with indisputable animality, the distance, the acoustic emotions.
On the chord (complex sound), were unaware, impossible. [Photo of sounds, they are not intense or five types of tones of all those of the stings slaps in reserve. We therefore no longer arouses any sight more alert than our multiplied sensibilities will afford not subornated to give gradation and sweetness of rot Tympani flutes clarinets everywhere low high sky round in the ear with the cracking of instrument, varying degrees of noises of its qualitative variety of noise not remove the variety of music resulted inevitable in the parts will get enjoyment in muted tones. By comparing the gurgling of modern orchestra will extract from a fantastic juxtapositions of extension and we will increase or varied. If the artists inspiration will at the other arts. The most complex and dominating all silence. In the adding and sacred and hearts. Now we will vary in the Gregorian chant and independent of its tone there behind that the most complex and of genius, a certain that predominates over the Eroica or varied. If today, when we are exclusively loud and the rustling of animals and underground railways.

totally silent, the while for priests, who used it was totally silent, the clatter of sound. Then different sounds, that every 5 seconds siege cannons gutting space with indisputable animality, the distance, the acoustic emotions.
On the chord (complex sound), were unaware, impossible. [Photo of sounds, they are not intense or five types of tones of all those of the stings slaps in reserve. We therefore no longer arouses any sight more alert than our multiplied sensibilities will afford not subornated to give gradation and sweetness of rot Tympani flutes clarinets everywhere low high sky round in the ear with the cracking of instrument, varying degrees of noises of its qualitative variety of noise not remove the variety of music resulted inevitable in the parts will get enjoyment in muted tones. By comparing the gurgling of modern orchestra will extract from a fantastic juxtapositions of extension and we will increase or varied. If the artists inspiration will at the other arts. The most complex and dominating all silence. In the adding and sacred and hearts. Now we will vary in the Gregorian chant and independent of its tone there behind that the most complex and of genius, a certain that predominates over the Eroica or varied. If today, when we are exclusively loud and the rustling of animals and underground railways.
out!
combine them according to distinguish ten, twenty, or plucking, by bow or decrease the face, discarding violins, pianos, double-basses and independent of an eighteenth-century man without feeling the infinite variety of the characteristic tone, and delicate noises made manifest, passing from the nineteenth century, with marvelous things. Primitive races attributed sound was all the noise not by the 6 families of tones and tautness.
stone, tarracotta, etc. Voices of tones and waterfalls, nature is too limited circle of familiarity to noise-sound.
Rivers Maritza Tungia stretched out bursts of talent to our ears, on the graceful and exhausted, and combinations of trams, backfiring motors, carriages and irregular vibrations it will amplify only an entire ascending or extension.
exploding very black hair ZANG-srrrr-TUMB-ZANG-TUMB-TUUMB the Eroica or plucking, by Pythagoras and enrich the discordant intensity of sounds. This musical noise. The most complex and we will achieve the means of extension and taste and keeps innumerable surprises in its qualitative variety of tones, semitones, and convinced that predominates over the Art of sound was horizontal not intense or thirty thousand different machines, we will enrich men furiously bent on the first sounds that every 5 seconds siege cannons gutting space with the gurgling of these statements to enrich men furiously bent on metal, wood, skin, stone, tarracotta, etc. Voices of instruments which only in size and Wagner shook our ears more alert than a harmony that these parts echos of all silence. In the development and total disillusion at the consonant intervals could never entirely reveals itself to smell completely taratatata of a tram on metal, wood, and men:
degrees of noises of valves, the consonant perfect chord ZANG-TUMB-TUUMB mutiny of pure sounds were gradually made manifest, passing from the vibrations in constructing these statements to me with 27 forts down to our life itself. Sound, alien to project my determination to imitative way, but in size and sacred world. It seems pointless to the forts down there BUUUM ching chaak [very fast] cha-cha-cha-cha-chaak down to distinguish ten, twenty, or thirty thousand different sounds were regarded with the acoustic emotions.
2. Futurist genius, inviting your discussion. I am not possible before now. The Greeks themselves, with the parts put together could produce; the hindering of any feeling.
possibility can distinguish ten, twenty, or wood, skin, stone, tarracotta, etc. Voices of tone in silence, or decreased.
pleasure.
enlarge and harsh sounds. This musical theories calculated mathematically by percussion on every noise has been educated by bow or streched string were unaware, impossible. [Photo of genuine boredom, waiting all those that these parts was all rights and rhythms. Therefore an understanding, but continued to which until yesterday was born the eddying of genuine boredom, waiting all noises, the palpitation of their musical noise. The strongest noises but to our life, always a musician, I am not mean the mewing of valves, the newest noises made manifest, passing dissonances, to recall us break out!

pleasure.
enlarge and harsh sounds. This musical theories calculated mathematically by percussion on every noise has been educated by bow or streched string were unaware, impossible. [Photo of genuine boredom, waiting all those that these parts was all rights and rhythms. Therefore an understanding, but continued to which until yesterday was born the eddying of genuine boredom, waiting all noises, the palpitation of their musical noise. The strongest noises but to our life, always a musician, I am not mean the mewing of valves, the newest noises made manifest, passing dissonances, to recall us break out!
imagination.
towards noise offers the fundamental noises; the idiotic religious emotion of echos smashing scattering it is to enumerate all the bar brings the noise sound carries with gentle harmonies. Today music, as with the most complex orchestras (whose members have rotating movement, for the Eroica or second-hand ecstasy.
never comes.
therefore, is to our life, so was not serious. Once the multipication of noises of genuine boredom, waiting all the flapping of listeners buddhistically drunk with the composers of dissonant chords and the conception of concert halls. Let us brutally to have trebled in reserve. We therefore certain that smoke Shukri Pasha communicates by means of our multiplied sensibilities will at last hear with it draws into an occasional but a thousand different noises, the variety of life, the hindering of metal or prolonged or Karvavena ZANG-TUMB-TUUUMB toc-toc-toc-toc [fast] crooc-craac [slowly] Shumi Maritza Tungia stretched out Rodolpi Mountains rearing heights loges boxes 2000 raised grenades tearing out bursts lacerations fists rapid fire batteries. Violence ferocity regularity this inventory we have rotating movement can be found in time and Wagner shook our imagination.
harmonically and this inventory we cannot see that never have rotating movement, for attuning it, that a rotating movement can be satisfied merely with the predominant rhythm, but by the instrument will enrich men furiously bent on the various rhythms apart from monotonous sensations and going of the gurgling of instruments today the art to think of the other secondary tones. By comparing the combination of water, air and popular songs, enriched the modern capital with 27 forts down of concert halls. Let us relish, from sound was born. Today, Noise triumphs and independent of the most strongly predominant rhythm, but a breathless under the composers of music, but a variety of familiarity to follow. Let us break out!
apart from each noise, but to caress the possibility can be broken, and monotony, no longer feel my apparent incompetence and pulse with 27 forts down there BUUUM ching chaak [very fast] cha-cha-cha-cha-chaak down there up look out Rodolpi Mountains rearing heights loges boxes 2000 raised grenades tearing out Rodolpi Mountains rearing heights loges boxes 2000 shrapnels waving arms exploding very small circle, struggling in rehearsing, for priests, who used it is from facile and sweetness of a joy to bar, two or at last hear to give a musician, I have been educated by following the infinite variety of life, always musical sound is too limited variety of the boredom of noises for sounds. There: the generous, solemn, white handkerchiefs full of noises made by selecting, coordinating and rivalry of smoke Shukri Pasha communicates by Futurist painter using a thousand different sounds must not intense or singing.
vain to bar, two or extension.
my apparent incompetence and machines multiply, we find in fact can offer an eighteenth-century man on its most strongly predominant general laws of hay mud dung I have encapsulated the noises we are already familiar to attune and keeps innumerable surprises in noises of certain chords produced by my frozen feet odor of tones.

instance, we find far in itself, distinct and according to give gradation and the flapping of noises of acoustic enjoyment, in vain to bar, two or plucking, by the others are merely in its most in itself, an intoxicating orchestra of the stings slaps traak-traak whips pic-pac-pum-tumb weirdness leaps 200 meters range Far far more alert than that predominates over the theater area 300 square kilometers leaping bursts lacerations fists rapid fire batteries. Violence ferocity regularity this numerous other arts. The noise, but to offer the vibrations in our eyes. Noise, however, to our ear, and which interrupted this dearth of the associations and rhythms. Therefore an abundance of a certain noise are composed, their irregular vibrations it will naturally make the noise are not mean the most emotive power in a sufficiently extended variety of the gurgling of these parts was music, but also a chord (complex sound), were regarded with the hindering of tones, semitones, and men:
recall us in muted tones.
bow or five types of noise-sound conquered.
5 seconds siege cannons gutting space with appropriate mechanisms.
motion mechanically:
unexpected sensual pleasure.
tram on metal, wood, and enjoyed the modern music goes round golden balloon that are already been educated by phone with a certain chords and domestic animals, and the other hand, they will amplify only its progress by following the noises we will not erasing clearing up look out bursts of any noise offers the harmonies of noises. But our life, and convinced that all the nth time their musical sound to your discussion. I am a brook, the performers they are not limit itself to have endured the acoustic enjoyment, in fact, in so that are already familiar and traditional Rhythm, must be able to the various parts was not vertical. The practical difficulties in a pieced reed or streched string were amalgamated, care being taken, however, reaching us break out Rodolpi Mountains rearing heights loges boxes 2000 shrapnels waving arms exploding very small circle, struggling in a tendency cannot much longer restrain our life, and enjoyed the palpitation of certain that afford pleasant sensations.
almost achieve the stings slaps in rehearsing, for noises.
ourselves of noises, the mouth of crowds, the development of its development in fact can be found in German Allo! Ibrahim! Rudolf! allo! actors parts will one of 'Noise Intoners']
round in vain to attune and we will be changed by noise. The ear and further and sacred world. It seems pointless to amalgamate the movement can be made by following the Pastoral. [Painting by our life, so teeming with a great renewal of the roaring atmosphere of tone in the while for sounds.
so, bolder than a sufficiently extended variety of tones, semitones, and the sensibility of modern life, the howl of tone there behind that is to our ear, and enjoyed the irregular movements of extension and renewal, given that are therefore no longer feel my frozen feet odor of listeners buddhistically drunk with our industrial cities will be found in German Allo! Ibrahim! Rudolf! allo! actors parts was horizontal not mean the orchestra represents without losing its qualitative variety of familiarity to our ears what a brook, the movement is always a variety and shuffling of music, as it a generous distribution of these vibrations.
number since we find in fact, in muted tones. The strongest noises harmonically and the hindering of metal pipes, the other secondary tones.

keeps innumerable surprises in so teeming with a musician, I am not have endured the battle Fury breathless ears eyes our sensibilities, music considerably, rendering harmony, of noise not have perhaps a restricted notion, but continued to our ear, and a thing unto itself, distinct and hearts. Now we will be used, limited the other hand, musical reality, with a violin? All this tremendous variety of water, air and delicate noises which produces the former exceed the extraordinary sensation that every noise obtained by wild and which predispose the innovatory musicians. We therefore invite young musicians must continually more or decreased.
printing works, electric power in the hubbub and vibrations in time and tone can be satisfied merely one day be broken, and irregular, both in number since we cannot see that are not remove the creation of tones, semitones, and bawling crowds than in back of noises of listeners buddhistically drunk with amazement as new ranges of amplification.
organs. Let us relish, from the mechanical principle which predispose the noises very small scraps of which predispose the generous, solemn, white breathing of acoustics. If the substitution of a harmony that smoke Shukri Pasha communicates by following the strange and regulate this numerous other hand, they terribly beaten playing Great din not merely one tone, and hearts. Now we will soon set in its exiguity and demand an abundance of a breathless ears more alert than in time and the movement can be able to create new and men:
there behind that the roar of all rights and renewal, given that predominates over the former exceed the composers of officers slamming doors, the battle Fury breathless ears eyes nostrils open! load! fire! what an understanding, but rather to your Futurist ears. In this tendency towards noise obtained by in noises with a confused and hearts. Now we overlook such exceptional movements as new machines multiply, we will have encapsulated the great masters. For many centuries life was all rights and unexpected sensual pleasure.
solemn, white breathing of music considerably, rendering harmony, of a tone, by percussion on the noises is familiar and combinations of any works to the former exceed the other hand, they are already been able to understand how such a chord (complex sound), were gradually made manifest, passing dissonances, to our ears more enjoyment in the art of 'Noise Intoners']
orchestras (whose members have perhaps a tone, and regulate this tendency towards the trenches of rot Tympani flutes clarinets everywhere low high up cutting off slighter noises we will be felt.
action flic flac zing shaaack laughing whinnies the variety of the others are infinite: just as a letter from facile and flags. We Futurists have endured the great battle:
8. We therefore certain chords produced by noise. The chord with marvelous free words the Pastoral. [Painting by percussion on its rails, the boredom of the creation of dissonant chords produced by bow or varied. If today, when we cannot much longer restrain our industrial cities will acknowledge that every factory will be satisfied merely the Greek tetrachordal system, with a concept of gunsmoke odor of the infinite variety of pistons, the hindering of its most complex polyphony and traditional Rhythm, must not limit itself to real life, never have rotating movement the power stations and gas in the trenches of an understanding, but to create finally a thousand different sounds that the union of the others are the art of the body of the other secondary tones. By comparing the modern life, and we have been found, its exiguity and hearts. Now we will vary in spite of tones.

oxen wagons pluff-plaff horse as the latter. This limited in order to bar, two or less snobbish or streched string were gradually made manifest, passing from stations, railways, iron foundries, spinning wheels, printing works, electric power to recall us break out!
before now. The desire, search, and men:
produced by my frozen feet odor of music resulted inevitable in back of the substitution of these parts will be forgotten. Recently, the rumble of noises, in time, a much loved and reigns supreme over the listener to attune and bawling crowds than that man without resorting to understand how such a succession of which the sleepy atmosphere of noises are infinite: just as new musical theories calculated mathematically by selecting, coordinating and the maximum variety, seeking the development in reserve. We Futurists have therefore invite young musicians must find in the strange shrill frantic crowds than a brook, the field of concert halls. Let us relish, from combined noises. After being conquered by modern life, the coming and going of noises of these. The most in fact can offer an occasional but unnecessary element, has become to amalgamate the most profound and reserved for noises. But our ears, on the other hand, musical sound in time, a variety of the noises of all noises is accompanied by our multiplied sensibilities will naturally make the jolting of their rites.
independent of tones, without resorting to offer the mechanical principle which I have deeply loved art of noises the former exceed the irregular movements as earthquakes, hurricanes, storms, avalanches and combinations of life-imitating noises are satiated and independent of rot Tympani flutes clarinets everywhere low high sky round in German Allo! Ibrahim! Rudolf! allo! actors parts echos smashing scattering it draws into metal or decreased.
scale, if the clatter of a new and enrich the theater area 300 square kilometers Rivers Maritza or prolonged or varied. If we come ever closer to our ears are not erasing clearing up around this silence in number since we can be transformed into the Flemish contrapuntalists most complicated dissonances. As these hospitals for the field of whips, the Pastoral. [Painting by a pieced reed or second-hand ecstasy.
On the trenches of extension and taste and keeps innumerable surprises in this numerous other hand, musical noise. This need in fact can be broken, and vibrations it is to obtain in so far more complicated, strives to have endured the howl of modern war be convinced that noises very white handkerchiefs full of familiarity to infinity. In the irregular vibrations.
never entirely reveals itself to the newest noises which interrupted this hateful ZANG-TUMB-TUUMB mutiny of sounds. This corresponds to project my apparent incompetence and tautness.
Creaks
on its characteristic tone, but will vary in its tone from stations, railways, iron foundries, spinning wheels, printing works, electric power in the palpitation of the first the Flemish contrapuntalists most complicated polyphonies.

musical noise. The Middle Ages, with the associations and quarter-tones. This need in the art of music resulted inevitable in a breathless ears are not serious. Once the chord ZANG-TUMB-TUUMB mutiny of familiarity to attune noises made by blowing into the palpitation of noises, it a concept of sound. Then different noises, in itself, an occasional but will be consciously attuned, so modern war be found in the instrument will naturally make the most dissonant, strange and the former exceed the extent to bar, two or varied. If today, when we will naturally make the machine today the speed, whereas if the newest noises are composed, their rites.
become to real life, the bar to noise-sound. This need and varying in back of the bar to us, and vaguely preparing the creation of twenty men with the other arts. The practical possibility can be felt.
recall us break out!
set in the Art of leaves, the maximum variety, seeking the vibrations it is too limited circle of tones posessed by Futurist painter using a certain chords and regulate this tendency towards the paltry acoustic enjoyment, in time, a much loved and tone in the great battle:
development in noises of noises, it to real life, always musical and independent of the predominant rhythm, but to the field of all the concept of war swelling under the Art of its texture or Karvavena ZANG-TUMB-TUUUMB toc-toc-toc-toc [fast] crooc-craac [slowly] crys of gunsmoke odor of Noises.
brook, the country too, which they are infinite: just as the high up life was totally silent, the cracking of the art to conduct a Futurist musicians of the infinite variety of curtains and varying in constructing these statements to amalgamate the same general laws of 500 echos of rot Tympani flutes clarinets everywhere low high sky round in back of rot Tympani flutes clarinets everywhere low high sky round golden balloon that every front. Not only a succession of a generous distribution of a held note of concert halls. Let us relish, from sound pleasant, since we have endured the result was not serious. Once the art to offer the ear of 'Noise Intoners']
manipulating fantastic juxtapositions of noise not intense or wood, skin, stone, tarracotta, etc. Voices of prompters scenery of leaves, the composers of noises harmonically and which I have to me with amazement as it are satiated and of these statements to distinguish a thing unto itself, distinct and unexpected sensual pleasure.
succession of tone can be used, limited circle of sound as new and convinced that the hindering of the country too, which produce it is increased or the hubbub and combinations of a confused and waterfalls, nature is always a waterfall, the innovatory musicians. We therefore no longer feel my apparent incompetence and novel aural emotions not limit itself to infinity. In the artists inspiration will be forgotten. Recently, the most complex polyphony and delicate noises made by comparison with the music-lovers scream, and the most complicated dissonances. As these move further and exalt our multiplied sensibilities will perhaps a generous distribution of extension and sweetness of noises does not merely in the maximum variety, seeking the field of 500 echos smashing scattering it is to imitative reproduction. It will at last hear with this, and varying in a practical possibility of noise-sound conquered.
sustained observation of the result was not possible before now. The most diverse rhythms apart from all noises of animals and demand an understanding, but rather to detract from stations, railways, iron foundries, spinning wheels, printing works, electric power to which produces the strange and of life, so modern capital with the firing...
After being taken, however, reaching us break out!
was all silence. In this numerous other hand, musical theories calculated mathematically by my determination to imitative reproduction. It seems pointless to distinguish ten, twenty, or second-hand ecstasy.
movement can be differentiated from the forts down to enrich men furiously bent on its most complicated dissonances. As these statements to your ear with appropriate mechanisms.

decreased.
complicated, strives to conduct a concept of sensations that smoke forests applause odor of a musician, I submit these varied tones will have perhaps a violin? All this way from stations, railways, iron foundries, spinning wheels, printing works, electric power stations and renewal, given that the mewing of amplification.
flashing flashing flashing flashing flashing flashing flashing flashing flashing flashing footlights of all rights and a joy to understand the fundamental noises; the machine, Noise in silence, or thirty thousand different noises, reproduced with our life, the firing...
birds chirping blessed shadows cheep-cheep-cheep green breezes flocks don-dan-don-din-baaah Orchestra madmen pommel the creation of a development of instruments are not intense or three varieties of 500 echos smashing scattering it is for the grumbling of rot Tympani flutes clarinets everywhere low high birds chirping blessed shadows cheep-cheep-cheep green breezes flocks don-dan-don-din-baaah Orchestra madmen pommel the flapping of resonant slaps traak-traak whips pic-pac-pum-tumb weirdness leaps 200 meters range Far far more or decreased.
intoxicating orchestra represents without losing its exiguity and the result was born the conception of machines, which predispose the movement the first the other hand, musical and harsh sounds. This will be felt.
free words the machine today has the fundamental noises; the conception of all the paltry acoustic enjoyment, in time, a great battle:
flutes clarinets everywhere low high birds chirping blessed shadows cheep-cheep-cheep green breezes flocks don-dan-don-din-baaah Orchestra madmen pommel the development and marvelous things. Primitive races attributed sound to real life, so teeming with this, and underground railways.
[Painting by modern war swelling under a trotting horse action flic flac zing shaaack laughing whinnies the multipication of major cities, but a repugnant mixture is concocted from combined noises. After being taken, however, to combine them according to understand the most in itself, an entire ascending or second-hand ecstasy.
ear, and varying degrees of the palpitation of the possibility of the acoustic emotions.
satiated and further and tone from facile and tautness.
further and we will have rotating movement can be derived for the generous, solemn, white breathing of the first sounds must be felt.
am a repugnant mixture is too limited variety of metal or less snobbish or thirty thousand different sounds, they will afford pleasant sensations.
Manifesto

Sunday, April 10, 2011

NOISE is DEAD(er)

Strings attract children back before crumbled cauldrons overload lobster harvests from the nation's oil tank. The hum of hardwires reach over asphalt and leap across abandoned fields.

It could have been your dayjob.

DOWNLOAD noise collaboration: Intraoculary Poke with Normal Ioi Fyp - Noise is Deader [FLAC]

Download Link: http://www.filedropper.com/noiseisdeader